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Calder Bicentennial Tapestries

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Making discoveries in your own back yard are so fun.  Today, I was at the Zoellner Arts Center at Lehigh University.  I went to their gallery to see the Joan Mitchell show, which I will be writing a post about shortly!  However, I was really surprised to see these tapestries hanging up.  They are by none other than Alexander Calder  (1898-1976).

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The Bicentennial Tapestries: La Poire, le fromage, et le serpent (The Pear, the Cheese, and the Serpent) by Alexander Calder, 1975.  Wool.  Handwoven the Atelier of Pinton Freres.

Calder was a famous sculptor.  You’ve probably seen some of his mobiles, which he started producing in the 1930s.  Calder was born in Philadelphia.  His father was a sculpter and his mother was a painter.  After studying engineering, Calder studied at the Art Students’ League in New York

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Mobile by Alexander Calder. Image courtesy of the LA Times
Calder was not limited to sculpture.  He experimented with various media: jewlery, paiting, drawing, tapestries.  Calder tried it all.  He was also very close friends with Vera Neumann, a fantastic textile and scarf designer.  (I remember a particularly fantastic post on this topic by The Vintage Traveler!)

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The Bicentennial Tapestries: La Tache Bleue (The Blue Blob) by Alexander Calder, 1975.

In celebration of the bicentennial of the American Revolution, Calder designed a set of six tapestries.  His designs were then handwoven by the Pinton Freres atelier in Aubusson, France.  A limited edition of 200 were produced.

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The The Bicentennial Tapestries: Le Sphere et les spirales (The Sphere and the Spirals) by Alexander Calder, 1975.      

Each of the tapestries are signed and have a number.  I wasn’t able to closely examine each of the tapestries, because they were hanging quite high on the wall.  Two of the tapestries were hung above benches.  So I stepped up to take a closer look (and a few photos).   Here is the signature and a mark that I can’t quite make out.  I suppose it is the number of the tapestry.

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I really loved the graphic quality of the tapestries.  The swirls and stripes are so interesting.  The Palms is a great example of what I’m talking about.

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The Bicentennial Tapestries: Les Palmiers (The Palms) by Alexander Calder, 1975.      

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Calder actually died the same year in which the tapestries were realized by the Pinton Freres atelier.  These tapestries were a gift from Philip and Muriel Burman in 1999.  The local newspaper, The Morning Call wrote more about the weaving technique when the gift was announced to the public:

 The panels were made in Aubusson, France, using a centuries old technique that takes the weaver a month to create a single square yard of tapestry. The Bicentennial Tapestries were woven at Pinton Freres, the same studio that converted the art of Picasso, Chagall and Miro into Aubusson tapestry.

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The Bicentennial Tapestries: Trois spirales (Three Spirals) by Alexander Calder, 1975.

 The sixth tapestry was in the permanent gallery downstairs, which I missed.  More reason to go back and take another look!

GHTime Code(s): nc 


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